My wife, Nancy Nicholson, is an artist who works primarily in Stained Glass. When I first showed here the cover of Emotionalism, she offhandedly remarked that the image would translate well into flat glass. I then told her about my first meeting with Scott, backstage in Connecticut, where he was working on a linoleum print for a tour poster that had a composition not unlike what one would see in a traditional stained glass window and asked her off the cuff if she would make me a panel of the Emotionalism cover.